11 Comments

Oh my gosh! I can only imagine how your heart sank when you found out about the bio of Jo, then how it soared when you had a translator willing to help. Nice! I had just the opposite problem. I had so much information about Mary Wollstonecraft to wade through, and variations between biographies made my head spin. In the end, I had to go with the narrative I though best suited to the story I was seeking to tell. BTW... Thanks for the call out for Solitary Walker!

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I love hearing this story. You’re doing for Jo what she did for Vincent..

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My goodness, when Webster defined tenacity he must have put your name in the definition! I knew you worked hard for this book but that was an understatement! Congrats, again!

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Your desire to honor Jo, not put words in her mouth gratuitously, along with the amount of time and research involved, makes this book truly worthy of a read, for anyone curious about the woman who brought Van Gogh’s works to the public!

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Thank you, Jane!

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What a lovely description of your own arc in writing Saving Vincent!

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Thank you, Pamela

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This is such an interesting take on the ups and downs of writing a fictional biography -- I remember some similar moments myself. I've already ordered my copy of Saving Vincent! Looking forward to your story.

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Thank you, Martha Jean!

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How lucky you were in the translation, but even more important, your perseverance! I haven't gotten to your book yet, but I will. Van Gogh's art has always moved me (although I'm not a fan of the sound and light exhibit I saw).

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What didn't you like about the Van Gogh immersion? I saw three different versions and one, in particular, was kind of weird and focused (I thought) on mental illness. I'm wondering if that was your experience?

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